Reflections on Creativity on the WHY Blog podcast


It was so fun to be part of this podcast. Luke Frazier does a great job with it. I talk in this session especially about why I paint (not sure exactly), how I make time to paint, and ideas for other people looking to make time for creativity.

http://thewhyblog.com/2016/03/09/what-brings-us-alive-with-bronwen-henry/

How Do You Tackle a Commission? Four Strategies That Have Helped Me


4 strategies that have helped me to create commissions with joy

This weekend I'm beginning my 30th commission, and I wanted to share some of my process of creating commissions on a practical level. It is my impression that many artists avoid commissions, preferring to create from their own inspiration. I totally get that and honor that. For me, I find tremendous joy in the commission process and wanted to share some of my approaches.

1. Changing the Focus from Performance to Prayer

If you follow my work, you've probably heard me talk about the heart of my work is around meditation and prayer. Opening to joy and also holding suffering. When I work on a commission I always ask people what I can hold in prayer for them and it is an HONOR. 

Because of this caring/ prayer focus I simply adore doing commissions. I love building a bit more of  a relationship with someone I don't know as well. I adore the connection and conversation. I find the 'assignment' to be a challenge, that leads me to a more creative approach and problem solving. Holding the client in my prayers is heart warming and helps me work with courage and compassion.

2. Know your No
I have turned down commission opportunities that are themes I am not currently into painting (ex. My son's desire for me to paint darth maul, or a friends request for a flock of birds). I have also turned down commissions that are small sizes. Part of the joy for me is in working BIG so I have a minimum size requirement. And I point people to other amazing local artists who find joy in working on the canvas size that fits for them.

Sketches for a Sycamore Commission, Four Paintings Will Be Developed.

Sketches for a Sycamore Commission, Four Paintings Will Be Developed.

3. Creating Options
One strategy I've developed in the last year is to create a series of paintings. On one hand I find the creation of a single painting does not allow me enough time to thoroughly enjoy the subject matter.  Working on a few canvases at once gives me a chance to dive in deeper (and if color palettes are overlapping it conserves paint!)

On a practical level working on a series gives me the freedom I need. Let's say for example someone has requested a tree with yellow leaves, but for whatever reason my heart is itching to do red, green, blue leaves etc. I can follow my creative impulse on one of the other canvases, while respecting/honoring their desire for yellow leaves on THEIR canvas. In doing this I don't feel boxed in or limited.

Sometimes I will find that a few in the series fit the requests of the client, and then I can give them a few choices of which canvas speaks to them the most.

4. Freedom
I ALWAYS convey to the client before I show them the piece that they are free to buy it or not. Even though I created it for them. I am always true to myself when painting. I make sure the painting makes MY heart sing. And I lean into confidence that each painting will find a home and I don't have to force it even if I developed it for them. By doing this I also provide myself a measure of assurance that one isn't buying it out of obligation but out of joy. 

I find I continue to evolve my process with time and experience.  And I know I still have a lot to learn. What is your approach to a commission? I hope these ideas are helpful.

New Development: Offering and Helping to Answer Prayers Through Paintings

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I am feeling so grateful to share this new development in my painting efforts.

If you've followed my work, you know that prayer is a big part of my
painting experience. With each painting, each brush stroke, I am spending time in prayer. I have a confidence around prayer and how it is transformative. I feel clear that prayer is about changing the person who offers the prayer. I also feel that praying compels us to action. Perhaps in quiet unseen ways, perhaps in big ways.

A few weeks ago I made the decision that with each original painting I sell I will donate 10% to an organization that serves the needs related to what I'm holding in prayer while working.

Some examples:

1.  I recently completed a custom painting for a friend, her prayer requests were about having a hope and a future and I've decided to send 10% to an orphanage that offers children a hope and a future. 

2. For the painting I'm doing for a young woman navigating an eating disorder, I will donate to an organization that supports young women having a better future around the world.

3. There is a painting I worked on during the anniversary of my Radioactive Iodine Treatment for thyroid cancer and I donated 10% of the sale of that painting to THYCA supporting Thyroid Cancer Survivors.

It is my hope to continue to give back to non-profits that are offering care and support to a variety of needs. Non-profits that are helping to answer prayers. Here is information on the non-profits I've been able to support so far

My heart is so happy to know that in addition to a gentle, peaceful time painting, in addition to a beautiful play of color on a canvas, I get to give back in a small way to helping to answer so many heartfelt prayer requests and prayers.

It would be my joy to collaborate with the person buying the painting on the non-profit that they are lit up about that are helping to make the world a better place. This feels like a full circle aspect of my painting experience and I am grateful to the many people who have invested in my pieces and made it possible for me to give back in this way. 



 

 

"Already Blooming" Finds New Home

Today the painting "Already Blooming" is finding a new home. "Already Blooming" has a soft spot in my heart. I was drawn to paint a flower, opening. I remember right around that time hearing Lupita Nyong'o (2013 Academy Award for Best Supporting Actress in 12 Years a Slave) speak about how "A flower couldn't help but bloom inside me." 

This reminds me of the deep goodness and perfection of who we are that is already underway, already unfolding, already blooming whether or not the world threatens to tell us that because of our age, race, gender we are not good enough. I painted this with a hope that we each remember the ways we are 'Already Blooming'.

Hidden Hope in Hard Times

These three paintings are finished. I painted them at once in a series but each one chose a bit of a different voice. I love the woods in summer. These paintings speaking to me of hidden hope in hard times. Of continuing to walk, trusting the path. Sparks of joy in it all.

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How Cancer Led Me to Paint Big
Like most journeys mine was filled with bumps and turns. On a bitter cold day in February 2013, I sat on my kitchen floor trying to register an unexpected thyroid cancer diagnosis. I could never have imagined that this discouraging experience would land me where I am today.

Shortly after being diagnosed with cancer, I attended a women’s retreat. We were asked to create a list of wildly impossible life goals. One of my goals was to “paint daily.” In writing about this list later, it struck me that daily painting actually seemed possible. Though at that time, I hadn’t painted in three years, I already owned plenty of paints, brushes and an easel, which were currently occupying some dusty corner of my attic. 

As part of my thyroid cancer treatment, I knew I would have to take a radioactive pill and be in isolation for seven days. An inspiration came to me as I prepared for this medical treatment. I would use these seven days alone (a sort of luxury for a mom of young children) as a retreat. I wanted a joyful terror (painting on a larger scale than I had ever attempted before) instead of just the terror of the medical treatment.  

I bought a canvas more than four times bigger than I'd ever painted before. And I made a rule: I wasn't allowed to start that painting until after I swallowed that pill.


Even down to the moment of holding that  pill in the intimidating small back room of  the hospital—the pill that came in a lead case in a lead box that was handed to me by a technician who then backed quickly away—I didn't know if I could do it...if I could actually swallow. For me, swallowing that pill was climbing Mt Everest. 

I never could have guessed how profound the period of isolation ended up being for me. Never in my life had I spent seven days alone, let alone seven days painting. In those first seven days,  I completed more than twenty watercolors and two large acrylic paintings .

Painting was a refuge. It was empowerment. It was inspiration. 
I will never forget that time, and I will always remember it with that first painting, called “Radioactive.”  At the end of my isolation, I thought that would be the last time I ever painted big. (Spoiler alert: I've now made more than seventy LARGE paintings). 

Why I continue to make space to paint
Somewhere along the way I decided I don't have to have cancer to get to spend time alone  or to restore your soul.  I don't have to be sick to 'get a break' from work or parenting. I had such a transformative experience during those seven days, that I chose to honor that experience by continuing to make space and time to paint. I gave away our guest room furniture and took over that room as a painting space. Now, with my health restored, I choose to remember the divine feeling I have while painting and to consciously give it space in my life. 

Why I paint what I paint
I find renewal in nature. The trees remind me of the scripture “The leaves of the trees are for the healing of the nations.” I hold a space for healing within me and for those around me. I am  often  drawn to painting aspens, meditating on their beauty and also their interconnected root systems, which reminds me how connected we all are. Each painting I do is filled with prayer, meditation, and joy. 

Painting and Prayer
It is my hope and prayer for each of us that we might face our fears, that we might be courageous, that we might let hard situations transform us, that we might know our interconnectedness with others and feel the comfort that comes from that connection,  and that, in our own way, we might step through a gateway into compassion. With this hope in mind, I welcome custom commissions; I find absolute joy in hearing a client’s own hopes and prayers, which I then meditate on  while painting.

About the Woods

I have always loved the woods. I grew up going to camp in central Pennsylvania woods. It was a place of restoration. Now that I live in Pennsylvania I can't get enough of the woods near my home. I'm working on this series of three (incomplete) inspired by camping trips this summer. And remembering solitude is always available to me.